Tracks

Deep dives into single hits - sound anatomy, chart history, legacy.

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Artists

Yura Shatunov: songs that get covered most

23 June 2022. Yura Shatunov dies. Over 30 years of solo career - eight albums, a rights trial and "Song of the Year". We break down the solo repertoire: "Detstvo" with three versions of authorship, "Klyanus", "A leto tsveta".

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Tracks

Remixes of Laskovyy Mai: what actually gets done to them

1996. Yura Shatunov, four years after the breakup of Laskovyy Mai, releases the album "Iskusstvennoe dykhanie" (Artificial Respiration) - ten hits in rave remixes. Release date: 1 January 1996, according to iTunes. The remixes were done by E. Rodionov at solaris station and V. Afanasyev at C&M Records.

Tracks

"Belye rozy": how a 1988 song became the main one

1986, Orenburg. Sergei Kuznetsov returns home from the first performance of the group Laskovyy Mai - a New Year's concert at Boarding School No. 2. The next morning he picks up a red pen and writes the song "Belye rozy" (White Roses) in 15 minutes. Yura Shatunov, who will sing it, is 13 years old.

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Artists

Covers of Laskovyy Mai: which songs get picked most

1989. The music video for "Belye rozy" (White Roses) airs on the TV programme Utrennyaya pochta (Morning Post) on Central Television - and within months Laskovyy Mai becomes a national sensation. Twenty years later, in 2009, a biographical film "Laskovyy Mai" will reignite interest in the songs.

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Tracks

"Sedaya noch": the story of the song and its covers

1988, Orenburg. Sergei Kuznetsov, the music circle leader at Boarding School No. 2, brings several cassettes to the railway station kiosk - recordings of his pupil, 14-year-old Yura Shatunov. Among six songs on the tape is "Sedaya noch" (Grey Night), the sixth track of the album "Belye rozy" (White Roses), 6 minutes 14 seconds long.

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Techniques

How to Find a Specific Remix of a Song: Remixer, Length and Catalogues

You know the song but need one particular version: that remix from a video or a mix. Which features to write down, where to look up the remixer and why catalogues sometimes disagree. Five worked cases: Blue Monday, Tom's Diner, Missing and two songs from our catalogue.

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Italo Disco

Covers of 80s songs: what gets covered most often

In 1983 the group Big Ben Tribe releases a cover of David Bowie's “Heroes” (1977) on Zanza Records. The same year Hipnosis covers Vangelis's “Pulstar” (1976) on Memory Records, and Cockroach covers The Beatles' “Get Back” (1969) on the Out label. Three covers in one year - all on Italian labels.

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Culture

Foreign covers of Russian songs - and Russian covers of foreign ones

28 August 1978: the German group Boney M releases the single “Rasputin” - from the album “Nightflight to Venus”. Written by Frank Farian, George Reyam and Fred Jay. The song about Grigori Rasputin rises to №1 in Germany, Austria and Australia, №2 in the United Kingdom and Switzerland. The melody sparked a debate: critics pointed to its similarity with the Turkish song “Kâtibim”, but the band denied borrowing.

Italo Disco

Forgotten covers: 12 versions that slipped away

1983, Italy. On the Crash label - a sub-label of Il Discotto Productions - a 12-inch single appears: China Town “Bette Davis Eyes”, catalogue number DS 005. It is a cover of Jackie DeShannon's song, which Kim Carnes turned into a number-one hit in 1981. The vocalist is Dora Carofiglio, uncredited on the sleeve. The single does not chart, gets no rotation, and twenty years later exists only in collectors' hands.

Techniques

Modern covers: what happens to a song in the 2020s

29 October 2019: the streaming service Deezer releases Spleeter into open source - a TensorFlow library that splits a finished recording into vocals, drums, bass and “other”. In its first week the GitHub repository collects over 5,000 stars.

Charts & lists

A covers compilation: building a playlist that holds together

October 1983: the Italian project China Town releases a cover of Kim Carnes's “Bette Davis Eyes” - on the Crash label, catalogue number DS 005. Forty years later, that same track ends up in a playlist next to a cover recorded in 2024 on a home studio running Logic Pro 11. The loudness gap between them can reach 8 decibels.

Techniques

Cover version: seven ways to rework someone else's song

14 February 1967. Aretha Franklin records “Respect” in a New York session that continued work begun at FAME Studios in Muscle Shoals, Alabama. Two years earlier the same song had been released by Otis Redding - a man's plea for “respect” when he comes home from work. Franklin's version became her breakout hit and signature song, and Redding himself later folded her ideas into his own performances with the Bar-Kays.

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Culture

Russian covers that outgrew the original

November 1987. Mikhail Boyarsky records “Zelenoglazoe Taxi” for a Melodiya long-play. The song was written by composer Oleg Kvasha to lyrics by Valery Panfilov and originally performed by Kvasha himself - but in mass memory it attached itself to Boyarsky. This is a case where a cover outgrew the original: the performer's version became the face of the song, while the author's version stayed with a narrow circle.

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Tracks

Covers of Russian songs: what gets changed in the arrangement

12 December 2007. Alexander Pushny posts a cover of “Zelenoglazoe Taxi” - in the style of Rammstein, with a German lyric “Du Taxi mit den Augen grün”. The song he is covering was written by composer Oleg Kvasha to lyrics by Valery Panfilov in 1987 and originally performed by Kvasha himself. In twenty years one Soviet эстрада piece gathered at least nine documented versions, from a disco remix to an English-language pop cover.

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Techniques

Cover, remix, tribute and backing track: what separates them

November 3, 1992. Whitney Houston releases “I Will Always Love You”, a pop ballad for the film The Bodyguard; the soundtrack and the single ship on the same day. The song will sit at number one on the Billboard Hot 100 for fourteen weeks, earn a diamond RIAA certification, top the charts of 34 countries and sell more than 25 million copies - the year's best-seller and the biggest-selling single by a female solo artist in history.