Culture

Videos, fashion, cinema, sleeves, TV - Italo Disco as part of the era.

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Tracks

“Africa” Toto, 1982

February 1982: David Paich writes “Africa” on a Yamaha CS-80 after a PBS doc. No Toto member had been to Africa. #1 Billboard 1983, 11 vocal tracks on the chorus, 2.3B streams after the Reddit revival.

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Tracks

“Oh Yeah” Yello, 1985

May 1985: Swiss duo Yello (Meier+Blank) drop “Oh Yeah” on Stella. #51 Billboard - not a hit. 1986: editor Paul Hirsch slots 3 seconds over a Ferris Bueller scene, John Hughes greenlights it in 5 seconds. Since then - 200+ films, $40M in licensing. Yello have never played a live show.

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Tracks

“Purple Rain” Prince, 1984

3 August 1983: Prince and The Revolution play a charity show at First Avenue. 24-track recording; the live “Purple Rain” runs 13:45. In October at Sunset Sound, Prince adds 24 strings and trims it to 8:41. Originally written as a duet with Stevie Nicks, who passed. Album 13M US copies.

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Tracks

“Don't Stop Believin'” Journey, 1981

October 1981: a modest #9 Billboard at release. 10 June 2007: HBO puts it in the Sopranos finale, then cuts to black. The song re-enters the iTunes top-10 after 26 years. By 2024 - 4.7B streams, the best-selling rock song of the digital era. The chorus arrives at 3:22.

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Tracks

“Every Breath You Take” The Police, 1983

Summer 1983: 8 weeks at Billboard #1. Sting wrote the lyric in 5 minutes at 3am in Ian Fleming's former Goldeneye house in Jamaica, after his divorce - it's a stalking song, not a love song. Cut at AIR Montserrat with Hugh Padgham, 20M+ copies, 1984 Song of the Year Grammy.

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Tracks

“Careless Whisper” George Michael, 1984

July 1984: 21-year-old George Michael wrote “Careless Whisper” aged 17 at a bus stop. Five studios, three years, $250,000 budget. Steve Gregory's sax solo on the 10th take for £350 with no royalties. #1 UK and Billboard, 6M copies.

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Tracks

“Beat It” Michael Jackson, 1983

February 1983: the third Thriller single. Billboard #1 for 3 weeks. Eddie Van Halen's solo cut in 30 minutes for free - two takes for a beer. Bob Giraldi's $150,000 video with 80 real Crips and Bloods.

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Tracks

“Eye of the Tiger” Survivor, 1982

May 1982: Survivor write the Rocky III theme in four days, commissioned by Stallone. He had wanted Queen's “Another One Bites the Dust” - Queen pulled out. Five days at Rumbo Recorders, $28,000 budget. #1 Billboard for 6 weeks, 1983 Grammy, 1.2B streams.

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Tracks

“Billie Jean” Michael Jackson, 1983

January 1983: the second Thriller single. 7 weeks #1 Billboard. Quincy Jones wanted to cut the 29-second intro - Jackson refused. 91 vocal takes, Steve Barron's $250K video broke MTV's “no-Black” wall.

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Tracks

“Sledgehammer” Peter Gabriel, 1986

April 1986: Gabriel knocks Genesis - his own old band - off Billboard #1. Aardman Animations' stop-motion video - 7,450 frames, 16 weeks of filming, 80 hours of Gabriel under glass. Nine 1987 MTV Video Awards (still unbeaten). Kurzweil 250 with shakuhachi, Fairlight CMI, Rick Astley on backing vocals. 5M copies.

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Tracks

“Video Killed the Radio Star” by Buggles, 1979

September 1979: Trevor Horn and Geoffrey Downes record The Buggles' debut at Sarm East for £18,000. Two months later - #1 in 16 countries, 5.5M copies. Two years later Russell Mulcahy's clip becomes the first ever video aired by MTV - the symbolic start of the era. Jupiter-4, Debbie Harry on backing vocals.

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Italo Disco

Italo Disco in Unexpected Places

Where you can run into Italo Disco - from kids' cartoons to video game soundtracks and space missions, the genre's unusual appearances in mass culture.

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Culture

Italo Disco and Italian Cinema

How the genre and Italian cinema shaped each other - from '80s films built on Italo Disco hits to retro pictures today that use the classic tracks.

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Culture

Italo Disco Through Foreign Eyes

How the Italian genre was received outside Italy - from adoration in Eastern Europe to the snobbery of the British press and a Japanese cult.

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Culture

Festivals and Parties for Fans

A survey of the main retro festivals and regular parties dedicated to Italo Disco - where the genre's fans gather across Europe.

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