Italo Disco

The core of Disco Magic - Italo Disco of the 80s: history, formula, artists.

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Techniques

Chorus in 80s music: wider synths

February 1984. The Roland Juno-106 with three chorus modes - the machine's most recognisable feature. Chorus in synthesisers, guitar, studio and vocals - four applications.

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Techniques

Oberheim DMX: a landmark drum machine

1980. The Oberheim DMX - the second digital drum machine after the Linn LM-1. $2,895, 24 sounds on EPROM chips, swing - the feature that connected new wave and hip-hop. Twelve known recordings.

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Techniques

Analog and digital drum machines

1980. Two drum machines launch simultaneously. The TR-808 at $1,195 generates sound through analog. The LM-1 at $5,500 plays samples. Why the 808 does not sound like the LM-1 - broken down at the physics of sound.

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Tracks

Letniy Veterok: Disco Magic retro remix

4 minutes 44 seconds. The Letniy Veterok remix by Disco Magic & valex77 of Kanikuly's song - EuroDisco arrangement, bass line, synth pads. A breakdown of how an Italo Disco remix is built.

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Italo Disco

"Vamos a la playa" Righeira: meaning

5 May 1983: Righeira release "Vamos a la playa" in Spanish. The chorus is about the beach; the verses are about a nuclear bomb. #1 in Italy and Switzerland, #3 in Germany, 3 million copies. Writers, single versions and the nuclear subtext.

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Italo Disco

What is a 12-inch single

1974: Tom Moulton and Jose Rodriguez create the 12-inch single - a hybrid with a wide groove and maximum volume. A 7-inch holds 3 minutes; a 12-inch holds 9 minutes at 4-6 dB louder. Why Italo Disco lived on this format.

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Italo Disco

Time Records: from Italo to Eurobeat

Autumn 1984: Giacomo Maiolini, 21, founds Time Records in Brescia. With the duo Farina-Crivellente - the label becomes one of the biggest in Italo Disco. Atrium, Albert One, Ken Laszlo. In 1988, the shift to Eurobeat for Japan.

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Artists

Silent Circle: German synth-pop

December 1985: Silent Circle release "Touch in the Night" - #15 in Germany, 14 weeks in the chart. A West German trio: Tychsen, Breitung, Behrens. Producers Dietrich and Simons, label Blow Up. Ten tracks, charts and Russian popularity.

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Italo Disco

Roberto Turatti: Den Harrow producer

24 April 1956: Roberto Turatti is born in Milan. With Miki Chieregato he created Den Harrow - a project named after the Italian "denaro" (money). Stefano Zandri was the face, Tom Hooker the voice. An Italo-disco factory, 1983-1988.

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Techniques

Gated reverb in plain words

January 1980: Hugh Padgham accidentally opens a talkback mic above Phil Collins's drums. Reverb is chopped by a gate after half a second. Gated reverb - the effect that defined the sound of the 80s. Processing scheme, AMS RMX16 and five imitation mistakes.

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Techniques

Synthesizers of the 80s: a sound map

1978: the Prophet-5 at $3,950. 1983: the Yamaha DX7 at $1,995 - 200,000 sold. 1988: the Korg M1 at $1,800. In ten years the price dropped threefold while polyphony doubled. Three waves of 80s synthesizers - analog, digital and workstations.

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Techniques

Drum machine in plain words

1978: the Roland CR-78 - the first drum machine with a microprocessor. By 1980 two approaches: analog synthesis (TR-808, $1,195) and samples (Linn LM-1, $4,995). How 16 buttons in a row rewrote the rhythm of pop music - in plain words.

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Italo Disco

12 space disco albums

1977: Space releases "Magic Fly" - 12 million copies in a year. Space disco was born not on singles but on full-length records. Twelve albums from Space and Cerrone to Koto and Laserdance - a guide to the genre through the LP format.

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Italo Disco

“Call Me” Spagna, 1986

July 1986: Ivana Spagna with producer Pignagnoli. UK #2 (blocked by The Communards), #1 Germany 5 weeks, #3 France. First Italian woman in UK top-3 with an English-language track - and one of the last Italo-disco UK mainstream hits before house.

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Tracks

“You're My Heart” Modern Talking, 1984

October 1984: Bohlen and Anders launch Modern Talking at Hansa Tonstudio. The single flopped in week one; the German #1 came after their January 1985 Musikladen TV spot. 6 weeks at #1, #1 in three neighbouring countries, 8M copies. Chorus secret: Bohlen sang the falsetto, not Anders. In 1987 Moscow's Olimpiysky sold 18,000 tickets in four hours.

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